Thursday, 21 December 2017

The Burning of the Books



(Poem by Bertolt Brecht)

How to teach?

The classroom process for the teaching of the poem in the cognitive paradigm is shown below. This plan for face-to-face teaching is for three hours in three days. Level expected is the first-degree students who learn English Language and Literature as an optional.

1.  Objectives of teaching the lesson:

a)  Students make an attempt to write a poem on par with the emotion that the poet had while his books were burned
b)  They analyze the poem so as to appreciate it.
c)  They trace the history and environment against which the poem was written by the poet.

2.  Materials required: 
Blank sheets of paper, bold marker, mobile/laptop with the net connection, LCD projector.

3.  The poem
When the Regime
commanded the unlawful books to be burned,
teams of dull oxen hauled huge cartloads to the bonfires.

Then a banished writer, one of the best,
scanning the list of excommunicated texts,
became enraged: he'd been excluded!

He rushed to his desk, full of contemptuous wrath,
to write fierce letters to the morons in power —
Burn me! He wrote with his blazing pen —
Haven't I always reported the truth?
Now here you are, treating me like a liar!
Burn me!

(Translated by Michael R. Burch) 

Day one (one hour)

          For a moment shall we imagine something like this?
           You are a writer.
           You write poems, stories, and essays.                                                            
           You publish your creations.
           You have thousands of readers who wait for your creations.
Through your creations, you question certain misbeliefs and taboos.
           Through your creations, you challenge political parties.
            You are a writer with democracy as your philosophy.
You criticise governmental policies detrimental to the well-being of the people
Automatically you are a pain in the neck of the government and political parties
They burn your books and poems in a ceremony to disgrace you.
Someway you came to know about the function of burning your books.
You rush to the scene to watch it.
You look at that scene.
What you could see was a heart-breaking scene of people burring your books.
They are celebrating the burning of books.

Photo credit      https://poetrydispatch.wordpress.com/2010/02/22/bertolt-brecht-the-burning-of-the-books-bad-time-for-poetry-reading-the-paper-while-brewing-the-tea/
Look at the photograph.
The crowd is burning the books.
(After a pause teacher asks)
Can you transcribe your emotions on a sheet of paper?
When they get ready to write their emotions, teacher interacts;
            I expect two or three stanzas from you;
Teacher shows the plan of stanzas on the board as follows;
            ……………………………………………………..
……………………………………………………..
……………………………………………………..
……………………………………………………..

            ……………………………………………………..
……………………………………………………..
……………………………………………………..
……………………………………………………..

Let them take 15 – 20 minutes to write the stanzas.
After the first attempt, the teacher asks them to edit or refine the lines.
They refine the lines.
Teacher distributes blank sheets to the students.
They write the fair of the stanzas.
They complete the fair and the teacher collects the sheets from them, teacher says;
            Look, these are your poems.
            We bind the pages now to make a ‘book’.
Teacher staples the pages and asks;
            The poem book is ready, don’t we want a name for this collection?
They suggest names to the book.
From several names, the class decides one, and that name is assigned to the book.
One student writes the title using a bold marker.
            Shall have a function in the class inaugurating this book.
Teacher initiates to write an agenda.
            Who will be the chairperson of the meeting?
            Who will welcome the audience?
            Who will vote thanks?
The class conducts the meeting.
The poem book is sent to the library.



Day 2 (one hour)

            Yesterday you wrote a poem.
            It was with almost the same emotions that had been shared by a poet.
There is a poem for you to learn.
            Take out your mobiles and search the poem.


The Burning of the Books
(By Bertolt Brecht)

Teacher shows them the original poem in German language, on the screen.
            (Though German is unfamiliar to them, let them make a rude attempt to read and understand. The purpose is to see the original poem in the German language, not to teach German)
            Now search for an English translation.
They search the internet for any translation.
Teacher shows the translation of Michael R. Burch and says;
          This is one translation, there can be other translations.
          Now try to read the poem to write the summary.
They make an attempt to read the poem.
          There are certain unfamiliar or new words for you.
Or, there are certain words familiar, but you don’t understand the inner meaning.
          Please underline the words unfamiliar to you.
They underline the unfamiliar words.
          Sometimes, your friends can help you to get at the meaning.
          Ask them for their help.
They discuss the contextual meaning of the new words.
If the friends fail, get the meaning from any web dictionary.
They take the mobile to get at the meaning of the new words.
(Following can be the unfamiliar words for those who have English as the second or third language in their education)

Dull oxen (here a figurative use)
Contemptuous
Excommunicated
Enraged
Morons
Wrath             
        Now the barriers of new words are over.
        Write the summary of the poem in a paragraph.
They write the summary as a homework.
Also, you read different web pages to understand the days and environment against which Brecht wrote the poem in Germany.


Day 3 (one hour)

They exchange the summary of the poem with others.
Two or three are presented in the whole class.
The writer is emotional and angry.
He felt he was burned.
But the story has a twist.
What is the twist?
That event made the poet angry.
What is that event?
Through examining the lines, they make an attempt to find out that particular line of the twist.  
          Ask your friends about their idea.
Two or three express their idea.
          Yes, that is the reason;
The poet came with a protest in his mind to see the burning of books.
But when he enquired he understood that his books were excluded from burning.
          This was shocking to him, he is excluded from the list.
          Read, what happens after that?
They read the remaining lines of the poem.
          What happens after that?
          Yes, he rushes into his room and takes the pen.
          The pen is always the sword of the writer.
          He scribbles his rage into words.
          Read the last three or four lines of the poem.
They read the lines attentively.
          Suppose, this poem is a story.
          The story means, some events in a sequence.
          What are the events presented in the poem?
          Look, the poet is the only character visible here.
          What are the events?
They try to enlist the events.
Teacher shows the following model to write the list of events.
  
1.   ……………………………………………..
2.   ……………………………………………..
3.   ……………………………………………..
4.   In an anger he writes some lines.

They complete the list and present it to the whole class.
          The poet was spitting fire onto the paper.
          What are the harsh words of the poet?
          Can you imagine the raging face of the poet?
          Take your pencil to draw his turbulent face and body?
They draw the angry poet.
What is the reason for his anger?
They read the poem once again.
They discuss the reason with their friends.
          The reason is clear from the sixth line of the poem.
          Yes, the poet has been excluded from the list.
          Why should he be dissatisfied with the exclusion?
Students try to say their arguments.
          Yes, as a writer he wished to be included in the ‘hit list’.
          But the regime has excluded him from the list.
          He felt that it was a clear disgrace to him.
Books of Karl Marx, Helen Keller, Sigmund Freud, H.G. Wells and sixty others were burned.
          As writers, their commitment to the society has been approved.
          With the burning of books by the government, they have been glorified.
          The poet dreamed of such an ending.
          But his books had been excluded.
          This is the real reason for his rage.
          That is the twist of the story, as well as the poem.

          Have you heard any quotes on the power of books?
          Here is one;
There are worse crimes than burning books. One of them is not reading them.
           –Joseph Brodsky
           Quote credit    https://ebookfriendly.com/best-quotes-books-reading/
Please say the meaning of the quote.
Shall I show you one more quote?
‘Let us remember, one book, one pen, one child, and one teacher can change the world’
Guess the author of the quote.
If you can’t guess, search and find out.

Books are most powerful agents of social change.
Find some more similar quotes.
They search as many quotes as they can related to the theme of the poem.
They present certain quotes and try to define the quotes.
          Now we complete the analysis of the poem of Bertolt Brecht.
          I have the one more question.
          What are the messages of the poem to the readers?

                              ---------------////----------------

                              

Wednesday, 6 December 2017

The old prison

How to teach the poem, ‘The old prison’ is discussed here. This is a plan for teachers to teach the poem in a face-to-face mode in senior secondary or degree classes, taking two hours in two days.

The rows of cells are unroofed,
a flute for the wind's mouth,
who comes with a breath of ice
from the blue caves of the south.

O dark and fierce day:
the wind like an angry bee
hunts for the black honey
in the pits of the hollow sea.

Waves of shadow wash
the empty shell bone-bare,
and like a bone it sings
a bitter song of air.

Who built and laboured here?
The wind and the sea say
-Their cold nest is broken
and they are blown away-

They did not breed nor love,
each in his cell alone
cried as the wind now cries
through this flute of stone. 


Objectives of the teaching of the poem:
a)     Students make an attempt to write a poem representing their emotions over a lonely prison on sea shore
b)     They examine the richness of the imagery of the poem, the old prison.
c)     They analyze the poem to trace out the message/s of the poem

Day 1 (one hour)
Shall we have a trip to Australia?
We are now at Trail Bay.
The teacher points out Trail Bay on the map of Australia.
Showing the photograph of the prison teacher says;

  


Now we are in the prison.
We are visiting the prison.
The prison is on the shore, facing the sea.
The prison has no roof, it was to give more miseries to the prisoners.
What one can see now are the walls, pillars and cells.
(Pointing out the photograph) Now, this is a monument.
About 500 prisoners were put in this prison.
They were soldiers arrested from the battlefield in World War II.
Once put in the prison, that was the end of the prisoner.
As the prison is isolated near the sea, there is no way to run away.
In the sea, there were sharks and other wild fish.
Life was ended in the cells of the prison.
The cruelty of man upon man.

What are your feelings and emotions?
Can’t you transcribe those feelings on a sheet of paper?
Or type it on your keyboard.
While they try to write one or two stanzas, the teacher asks some more questions.
            What images will you use?
            What messages will you give through the stanzas?
When they complete at least two stanzas they present their creations in small groups.
Two or three students present their creations to the whole class.

You wrote some stanzas on the basis of the feelings you had when you saw the prison, didn’t you?
Here is a poem ‘The old prison’ written by Judith Wright with almost similar feelings.

            Read the poem.

They read the poem on the screen or on the pages of the textbook.
Are there any new words?
If there are any new words, get the help of your friends or use your dictionary.
But I think that almost all words are familiar to you.
Think beyond the literal meaning of the objects.
For example, what is the meaning of black honey?
They try to examine the poem in-depth.
            What are the images used in the poem?
            The poem has two parts;

The first part describes the prison, and the second part shows the dissatisfaction of the poetess on the heartless approach towards the prisoners.

The class ends with assigning the following home-task.

a)     Write a summary of the poem.
b)     Refer any sites and write about the poetess and her area of interest.

Day 2 (one hour)

            Please take out the home works done.
            Share your homework with a friend.
One or two summaries are presented in the whole class.

This poem is rich with images.
The poetess is drawing several pictures on the mind of the readers.
As well as, there are lots of comparisons of different things.

How are the cells compared?
The wind is compared with different things. What are they?
The skeleton of the prison is also compared with something. What is that?

Next attempt of the teacher is to take the initiative that the students analyze the entire poem.
For that, teacher shows certain models;

a)     Judith Wright had an outlook against the war. She was harsh towards war.
What are the sentences that show the harshness of the writer?
b)     Has the poem any messages? What are they?
c)     Critics are of opinion that the poem is questioning human rights violation.
What were the human rights annihilated in the prison?
d)     The poem is rich with symbols. What are the symbols used in the poem? What do they symbolize?
e)     Though the poem was written five or six decades ago, has it any relevance in the modern times? Why?

Class answers the above questions in their own ways.

Students take an opportunity to frame some analytical question like the above ones and exchange them in the class.

Don’t you like to write a letter congratulating the poetess for writing such a beautiful and provocative poem? Let the relatives and well-wishers of Judith Wright read that letter. Write it.

Testing the learning of literature (poem)


Read another prison poem. Compare this with “the old prison’ written by Judith Wright.

(Courtesy:  https://www.scrapbook.com/poems/doc/42997.html)

THE PRISON WALLS OF LIFE
Image result for The old prison  Judith wright - imagefour walls of bars with no doors
is this what life is made of
days get harder and the walls starts to close in
and one thing comes to mind
why did i take this path
nights of sorrow and days of shame
i just want the sunshine and not all the rain
my heart is black and my flesh is cold
i seek for the truth and happiness
but all i get is the lies and sadness
tell me why this happens
im no longer in control
i gave up some years ago
as life passes me by and people come and go
i search and i look but i can’t find the door
i can’t change my past
but i try to change my future
the life beyond the bars is the one i hope to live
i am a prisoner who wants to be free
Author: Brittany M.













Sunday, 1 October 2017

Need-based vocabulary expansion



Some years ago a soft-skills trainer of children gave an advice to the audience to routinize the learning of five new words each day from the dictionary. The audience considered the advice as an inspiring one on the belief that the trainer had such an exercise in his life.

With much enthusiasm, for a week several children would open the dictionary daily to learn any five words as a routine. Those who learned the vocabulary as a machine couldn’t use all those words due to their inability to communicate them in the right place with the appropriate form of the words. Within a short duration, the learners identified that the advice of the trainer was not viable in their circumstances and they gradually withdrew themselves from that method of vocabulary expansion.

Though many may think that the above story is the issue of a few, there are chances for certain generalization on this attempt of vocabulary expansion in following terms;

a)     Learning of five words each without any reason is mechanical. The organism has no real need to learn those five words other than it was co-operating with the advice of the trainer or the teacher. These new words do not become active in the communication as they have no recurrence.
                                                                                                      
b)     Semantics is something greater and above than the visual of the print of a word and usually, the meaning of a word is inexplicable with other words. The semantics of a word is to be experienced with its nuances. The little comprehension of the meaning of a word in isolation do not formulate the full sense and sometimes the inner-meanings couldn't be caught by the learner, at all.

c)     Though the meaning of the root of the word could be comprehended from the machine learning of the dictionary, different forms of the same word would not be acquired with this attempt in segments.
 d)     Leaning of words in isolation is a conscious attempt of learning the language that makes the organism to repel inputs, resulting in hatred and to keeping away from learning the language.

Efforts of teachers or efforts from the part textbooks in the form of pre-teaching of vocabulary are also to be evaluated on the same count. No need to explain further demerits, the conclusion that conscious attempt of vocabulary expansion is less effective and its result is not long lasting, is not difficult to understand. It is against this context need-based vocabulary expansion is suggested as an alternative.

Image result for image of teacher and children

Who’s need?
a)     Need-based vocabulary expansion stands for developing one’s range of known words through the urgency created in use in written or spoken form. For example, the teacher has a view in her mind to teach the specific words of chirp, twitter, and caw. If she gives the meaning of these words in English or in regional language, it is direct as a well as teacher’s need to be taught, which would be easily identified by the learner.  If the teacher liked to make the situation as the need for the children to learn the new words, she would have asked the children to write a poem or a story where the children might use the specific words showing the cry of birds and animals. Tell them there are doves, hens, ducks, parrots, cats and calves as characters in the poem or story. While writing the lines of the poem or story they want specific words denoting the cry of birds or animals. Naturally, they have to approach the teacher or any other source like dictionaries, thesaurus or sites like; http://www.english-for-students.com/Cries-of-Animals-and-Birds.html and http://english-u.blogspot.in/2011/02/animal-sounds-or-cries-of-animals-birds.html

b)     Guessing the spelling of words is another method of need-based vocabulary expansion. There is a game known as ‘last first’. Let the teacher say a word, fan. What is the last letter of the word? It is ‘n’. Then say a word with the beginning letter ‘n’, nut. Let the next child say ‘table’. The turn continues like a chain. It is the requirement of the child to be in the game by contributing any word with the appropriate one required in the chain. Moreover, the child will be non-conscious and spontaneous in the utterance or writing of the word considering the beginning sound and end sound of each word. 
The urgency of the children to use the specific words in the poem or story or game depends on the anxiety deliberately made by the teacher. As there is anxiety to use the word appropriately they would make their own effort to seek the word, its pronunciation and the way in which it can be used in written or spoken form. This exercise is creative, constructive and inquisitive, above all, it is a problem-solving method where the child would be non-conscious towards the nuances of the use of the particular word as the child’s attention might be focused on finding the correct spelling, pronunciation and the form of the word to be used.  

The goal for need-based vocabulary expansion could be realized only through the planned classroom process implemented by the teacher or a skilled mentor strategies for it. Following are certain strategies that the teachers can implement;


     
Strategies for need-based vocabulary expansion

a)     Suppose the teacher is making the children to read a story in the textbook. As the beginning, she interacts with the children about the theme or message of the story. The teacher presents orally the beginning of the story and interrupts the story and asks the children whether they can guess the next immediate events in continuation of what they have heard. Let them write or say the remaining part of the story as they guess. After the presentation of two or three children, the teacher asks them “who would be right in guessing the events?” for which they would read the portion to confirm their guess.  During this reading they have to encounter certain keywords, the meaning of them are essential in proceeding reading.   In an urgency they would ask the teacher, read the glossary in the textbook or refer the entry in a dictionary or read the internet. Getting the meaning of the word becomes the real need of the child.

b)     While writing the discourses like; conversation, description, diary, news report of their own, children need new words to express their real thoughts and ideas. Suppose the teacher is taking the children to a location outside the school campus with a plan to give direct experience to describe the hill and valley. With a view to writing certain new words in the description, the teacher asks the children some questions to channel their thoughts; what are all things you see from the top of the hill? How is the weather? What all sound you hear around? What smell you feel around? What similar sight do you remember at present? Such triggers may inspire the children to write the description with specific words, for which they will ask the teacher. The teacher can provide the word which would be their urgency.

c)     Suppose the teacher demands a short speech from the child on any topic to be presented in the class, like, the merits of the mobile phone. Let the children write the speech. While they begin to write, the teacher presents certain triggers before them to channelize their thoughts to the speech; what merit will you speak first? Which is more expensive, is it the mobile phone or landline? What are other conveniences with the mobile phone? With every question, they have responses to be sequenced in the speech. To be faithful to their expression of ideas they ask for the specific terms for the preparation of the speech. After they write the speech on a sheet of paper or sequencing it in mind, let them present the speech to the audience in the class.

d)     Language games are golden opportunities to make the situation natural and non-conscious for need-based vocabulary expansion. There are several games, one is presented here. Teacher says a clue “I am saying names of 10 vegetables from my shopping list. But when I say, sound won’t come out of my mouth. You identify those words from the lip movements.” After making such preparations teacher says the words in mute, such as onion, carrot, beans … and the children attentively look at the lip movements of the teacher to write teacher’s list. They may fail with some words, but when the correct list is stated they would be more attentive to listen to the list of the teacher and to the pronunciation of each word. It is the urgency of the children to learn those words, though the words were unheard.  
      
Let teachers take this pedagogical concept of need-based vocabulary expansion as a challenge against pre-teaching of vocabulary, on an experimental basis for one year in a treatment group. Let the control group be given the older way of teaching words in advance of reading a passage. If any vocabulary test is given to both groups after one year, the teacher could convince herself the effectiveness of the need-based vocabulary development.